The largest and longest running of Gale Gates’ immersive theater experiences was called a “total theater triumph” by Time Out New York.  Set in 13 installations throughout 40,000 square feet, this production cast the audience in the roll of Dante and lead them on a journey through a multifaceted experience that depicted Counts’ vision of Hell, Purgatory and Paradise as it would exist 500 years after Dante’s original telling of The Divine Comedy.   This work and all of GAle GAtes other immersive productions pioneered the now popular trend of immersive theater – recently made famous by productions like Punch Drunk’s Sleep No More and The Drowned Man.
New York Times Review